Artist Bios
M-R
MAGAFAN | MARGULIES
| MARX | MASUROVSKY
| NAMA | PETERDI | REFREGIER
Magafan
With a successful painting career in the Midwest
in the 1930s and 1940s, especially of works of western themes in
WPA murals, she and her twin sister, Ethel Magafan, were highly
respected artists among their peers. They exhibited as a pair, traveled
much together, and spent time at Woodstock, New York, where they
each married artists. Jenne married Edward Chavez and Ethel, Bruce
Currie.
The twins' father emigrated to the United States from Greece in
1912 and settled in Colorado Springs, although the girls were born
in Chicago. They each developed a love western landscape, and when
Jenne won the Carter Memorial Art Scholarship of ninety dollars,
she shared it with her sister and they both attended the Colorado
Springs Fine Art Center. The tuition covered only two months, but
instructor Frank Mechau, recognizing their talents, hired both of
them as assistants.
The young female artists were encouraged by all their instructors
especially Mechau, Boardman Robinson and Pepino Mangravite, who
hired Ethel to help him with a mural project in Atlantic City.
Jenne did a mural in the post office of Helper, Utah and in a government
building in Auburn, Nebraska.
On a California trip, the twins met Doris Lee and Arnold Blanch,
who spoke glowingly of the Woodstock, New York art colony, so they
headed east in 1945. There, they developed distinctive styles of
painting with Jennie doing what were described as sensitive renderings
and Ethel focusing on horses and later on increasingly abstract
landscapes.
Both won Fullbright Scholarships and Tiffany Foundation Awards,
and Jenne studied in Italy and Ethel in Greece. They and their husbands
returned to the United States in 1952, and shortly after Jenne died
at age thirty-six of a cerebral hemorrhage.
Ethel continued to have a highly successful career, painting numerous
murals for the federal government including the U.S. Senate Chamber.
In 1968, she was elected an Academician of the National Academy
of Design.
source: www.AskArt.com
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Margulies
JOSEPH MARGULIES
by Mildred Thaler Cohen
In his essay, "What is Painting" published by Scribner's
in 1917, Kenyon Cox wrote, "Painting... can reveal to us things
we should not have seen for ourselves in nature..., we live more
intensely and rejoice in our perception of this intensity of life."
And, indeed, these thoughts clearly describe the works of Joseph
Margulies (1896-1983) who has gifted us with his insight, reality
and human sentiment, rewarding us with a wide-ranging palette of
pleasurable sensibilities.
Born over 100 years ago in Vienna, Joseph Margulies came to the
shores of America and enjoyed a long and successful career in his
portrayal of nature and man.
He studied at the National Academy of Design, Cooper Union, as
well as the Art Students League in this country, and continued his
studies abroad in Paris, Vienna and Rome.
While he received many commissions for his acclaimed portraits,
he still found time to paint appealing scenes of Central Park, Riverside
Drive and other enchanting landmarks of New York City, the cultural
mecca of the world and the city where he lived.
But then, summers beckoned him to Cape Ann where he was drawn to
the Rockport Art Association, an area much beloved by many artists.
Margulies maintained a summer studio in Gloucester and contributed
to a remarkable chapter in the history of American art which embraced
that circle of artist luminaries, Leon Kroll, John Sloan Edward
Hopper, and Hayley Lever, all who shared in that haven of beauty
where talent abounded. Like Hopper, Margulies, too, was inspired
by the stark drama of the harbor. The years in Gloucester were a
pivotal time for Margulies,made famous in compelling works exploding
with bright Fauvist colors, executed in energetic and vigorous brushstrokes.
We appreciate the deft handling of light and mood. We respond to
the affection he feels for the boat builders, the force of the sea,
and the seagoing vessels preparing for travel, wistfully anticipating
the journey that is to come.
When John Sloan died in 1951 and Reginald Marsh in 1954, this style
of painting declined in popularity. Abstraction and various other
modern trends were in vogue. Joseph Margulies, however, did not
follow the new fashion. He staunchly maintained his independence,
and we are forced to take note of the timelessness in his art. He
is renowned, internationally, not only for the perceptive oil portraits
of outstanding citizens, but equally, for his etchings, aquatints,
and watercolors.
We are keenly aware of his masterful contributions to the field
of etchings, a distinct compliment to his teacher, Joseph Pennell,
and take note of his facility and competence in technical expertise.
These icons of beauty, of a long and successful career, speak to
a larger audience, and will continue to invite inspection, please
the eye, and decorate the home.
source: http://www.fineartstrader.com/margul.htm
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Marx
Robert Marx is part of a small
group of important American figurative artists who comment on what
it means to be human in an inhuman age. A kindred spirit with such
great but often overlooked social protest artists like Leonard Baskin
and Leon Golub, Marx's work speaks only to those who wish to be
challenged by an artist's idea -- those who seek an intense and
enduring dialogue with works of art. One of America's most important
exponents of the north European expressionist tradition that goes
back to Bosch, Grünewald, and Bruegel, Marx's work explores
the futility of trying to bring universal order or give conclusive
meaning to the human condition.
source: www.AskArt.com
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Masurovsky
An American artist born in the
Bronx of New York, Gregory Masurovsky lived and worked in France
since 1954. He studied at the High School of Music & Art in
New York from 1943-47. From 1966-67 he was a professor of drawing;
from 1980-87 he was a professor at the American Center; from 1987-94
he was a professor at the Atelier Elzevir in Paris. He expresses
himself exclusively in drawing, with pen and paper. The works of
Masurovsky are among numerous public collections shown in France
and abroad.
source: www.mantoux-gignac.com
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Nama
The following
is from the New York Times, April 6, 2001:
HEADLINE: ART IN REVIEW;
'Von Teufeln/Devils' -- Pageant' BYLINE: By GRACE GLUECK
Shepherd & DeRom Galleries
58 East 79th Street
Manhattan
Through May 5
To accompany 10 playful poems written in both German and English
by the
pianist Alfred Brendel, the printmaker and sculptor George Nama
has done a series of 10 etchings (published in a limited edition
of 50 copies) and 10 small sculptures, activated by Mr. Brendel's
theme of devils and the havoc they wreak.
The etchings have been worked up from gouache and charcoal sketches,
some of which are also on view. Rather than depicting devils in
their traditional form, the etchings are more abstract works that
suggest, well, horns or the condition of hornedness.
In one depiction, two curling goatlike horns nestle close like
needy puppies;
another, more ferocious image resembles a hand bristling with menacing
thorny fingers. It accompanies a poem by Mr. Brendel to the effect
that since the devil has decreed his own nonexistence, humans will
henceforth have to advertise their own hell.
Nor do the 10 small bronzes wrought by Mr. Nama and patinated by
him in
delicate shades of brown stray far from the theme. The horns they
sprout seem more in the nature of claws or the tentacles of sea
creatures, however, and one even looks like a fool's cap emanating
tassels in the shape of horns. Shades of Max Ernst!
Having responded to Mr. Brendel's text, Mr. Nama's work has actually
achieved a life of its own. The test is, how well could it come
off in the absence of Mr. Brendel's poetry? Very well indeed.
source: www.AskArt.com
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Peterdi
A painter,
printmaker and teacher, Gabor Peterdi is best known for his intaglio
prints and engravings.
He was born in Pestujhely, Hungary and studied at the Hungarian
Academy of Fine Arts, the Academy Belle in Rome, and the Academy
Julian in Paris. He settled in Rowayton, Connecticut where he taught
at the Yale University School of Art, and he also spent time in
Hawaii as a teacher at the Honolulu Academy of Art.
source: www.AskArt.com
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Refregier
His most
famous work is arguably the WPA mural project at San Francisco's
Rincon Center, the costliest and one of the most controversial of
all the WPA commissions. It is a multi-scene panorama that sparked
national debate because of its inclusion of controversial events
in California history.
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